Ramón Saturnino’s (b. 1999, San Luis Río Colorado, Sonora, Mexico) presentation for Lodos at Art Basel comprises two interconnected elements: a sculptural fence constructed from wire and plaster weights, and a selection of photographs from his ongoing series Bulgaria–Mexicali. The sculpture consists of thin vertical wires stretched across the booth’s walls, each stabilized by a plaster weight. These weights mimic standard fencing tensioners but are brittle and nonload bearing. As a result, the arrangement recalls the cadence of fencing yet is rendered functionally inert by its own fragility. The piece first appeared in Saturnino’s 2025 solo exhibition Aquí no es así at Lodos; for Art Basel, it is presented at a larger scale.