00.
01.
02.
03.
04.
05.
06.
Information
Las distacias
No hablas; No hables
Me como las uñas para no rasguñar a nadie
Aqui no es asi
5 fotografías por Ramon Saturnino
Dafne
   
Ramon Saturnino

b. 1999, San Luis Rio Colorado, Sonora, Mexico.

Lives and works in Mexico City.

Ramon Saturnino focuses his practice on the intersection of human activity and the environments we create, with a background in architecture, the work is focused on understanding contemporary methods of production trying to understand how we can relate to this, disconnecting the mechanisms of everyday objects, and in turn proposing a methodology in which we can approach to this thru the public and exhibition space.

Solo Exhibitions:

2026 bulgaria; mexicali, Frankfurt Ordorica, Los Angeles, US. (Forthcoming)

2026 Las distancias, Art Basel, Statements Sector with Lodos, Basel, CH. 

2025 Aquí no es así, Lodos, Mexico City, MX..

2024 5 fotografías por Ramón Saturnino, jetlagtaxi, Guadalajara, MX

2023 Retrato de un fugitivo,Nordenhake Gallery showroom, Mexico City, MX.

2023 Taller de dibujo para fumadores, depto 1, Mexico City, MX.

2022 Hipersensoria, 12 channel acousmatic sound installation in Torre de los Vientos by Gonzalo

Fonseca , Mexico City, MX.

Group Show:

2025 Vasos comunicantes, Galería de arte méxicano, Mexico City, MX.

2025 Columna rota , Museo de la Ciudad de México, Mexico City, MX.

2025 Manual intuitivo, Museo Carrillo Gil, Mexico City, MX.

2024 La Casa Ideal, Proyectos multipropósito Mexico City




ramon.saturnino.a@gmail.com
@24.11.99.00
05.5 Fotografias por Ramon Saturnino.

Jet Lag Taxi.
Guadalajara, México

2024

Part of “Bulgaria; Mexicali.” photographic series portraying the landscape of the Altar Desert, on the border between San Luis Rio Colorado, Sonora (MX) and San Luis, Arizona (USA). This series stems from a methodological exercise in which, through a three-year archive of photographs, that capture elements of the landscape defined by its lack of elements. Within this process, the exercise revolves around the research and understanding of the means used to portray (black and white film, overexposure, and shooting photos at 2 PM) and an objectification of the elements photographed (which represent the iconographies i grew up with). The approach utilizes personal proximity as a tool to photograph and select images, with the aim of creating an image entirely dissociated from any defined context, focused on decontextualized iconographies. In this way, the body of work exists as an aesthetic reaffirmation of the elements portrayed.